Saturday, September 17, 2011
On A Saturday Night Before I Leave My House
When all the ticket buyers buying tickets say
I'm gonna go ahead and go. One is more
a destination person. One more like go ahead.
And go. Like say a wheel
or a wing I remember
getting carried away.
The one who does laundry meets the one who does dishes.
Who gets down with your demands,
who's short pennies for wishes.
One with too many choices meets the one who wants more.
Who drains the fuel from jets,
who knows what time is for.
How long do you stay?
One stays away. One stays behind.
I am trying to buy property:
it's a-guy-walks-into-a-house kinda joke.
Some even more real estate,
a jughead believer, I somehow build broke.
With a death grip she comes
down hard with a spike.
Time lived is the sum
of days that I "Like."
HAMMER a way
Shiny rims rolling under such chronic keep-on-truckers:
just jump, get off, or fall.
Drawn back, swing stilted like a stay-at-home sucker
punch potholes in the dry wall.
Where you go won't say where you stay;
I pound the hammer for punching stakes in.
Name a certain place along the way,
live there & wait for leaves to rake in.
That pickaxe you jacked,
I want it back to break ground.
Swing it hard to make place,
call it home, stay in town.
Saturday, August 13, 2011
YOU'RE HOME. GET OFF. (for Theo Eliezer, Jac Currie, Aubrey Edwards, Erik Kiesewetter, Katie Darling, & Jamie Chiarello)
Living, now, is for making actual unrelenting joy of circumstances which I have both built and which have been built around me.
I have exaggerated all stereotypes and imagined even more. I, travel agent. Double back time-traveling agent. International travel is not worth the memories. Go home. It takes longer, costs less, and postcards can finally have pictures on both sides. I live the most fierce and turbulent life. A terrible plane ride. I'm on my way to where I can land. Or on my way to when the air might tear my wings off. Either way, I'll dive into a quiet. Kickback like 16-ton, lead eyeballs rolling back into a chicken wire hammock. Have a real hard rest.
I laugh so stupidly while my bicycle goes across town, past midnight, past my home.
I laugh at a world too stupid to know I've been playing marbles with its balls since I was 12.
I get ridiculous. This spectacle of self, diving hard from HA HA OH EM GEE HA HA to golden-studded sunglasses I snivel beneath & sob behind. Original Bawler, bitch. Fake bitch with a mouth full of mad ballers. They're not welling up. I'm swelling up. I come. I come with a soft focus option. Press this button. Not a trick.
I hate playing marbles. I hate life's balls, dropping like lead eyes that roll back inside a chicken wire hammock. I thought you were sexless or hermaphroditic. It's a lie, a smooth plastic mound; no orifice, no mind. You crazy. Tranny on my face while I ride through the dark, everyone will think I love you. Get off.
I love living. I want to live. Just live like an organism. Everyone saying they gonna do this gonna do that gonna do it do it do it to it.
Friends jammed up in internet traffic, I employ you, get off.
I dare you to set your alarm, wake, and spit on your sheets. Put your weight on your feet and make to move out. See if you can carry the weight of being loved by the place around you. Strap an electric collar on your dogged heart and fight the love of anything beyond the city limits.
Crushing. High School Crushing. Crushing like a cemetery dance.
Gravestone carving machines, punch this on a plaque for me: HE GOT OFF HERE.
I'm off to party with folks for the rest of all the years I have left, making friends of all the fish in one net, gutted with the same knife, breaded with the same flour, filleted and fried in the same oil, served up at the same table, smothered in the same sauce. All together consumed. We live this way for you. We have such unreasonable hope. Expectations. When will you come? I love everyone on their way here. I'll help you cut your heart out. I'll walk you to the fryer. Drop it in, and imagine how this ridiculous metaphor works. Home is stuck through with the cross stitch and lace making of good sentiment. I am also sure that Home is a fish fry. I've explained this above. That's why I want your heart in the fryer where my heart has been. Thin tall tongs to hold you under our long boiling oil; we share a fried taste. If you want to love all of us, if you think we should believe you, drop your balls in, let them roll back inside a chicken wire hammock, let them rest.
We wait and watch your plate. You're on your way. I smell it. I've always had that crispy heart-popping scent. Just sit down and drop your heart on the plate. Drop your balls, take the sauce. Drop your hair, drop your legs, it'll fit. I tell you, I invite you, I beg you to just drop your face on the plate and get off. Go home. Where you're special, where everyone wants a taste.
Tuesday, November 2, 2010
"New in NOLA" reading recorded
Monday, October 18, 2010
I got beat up Sunday Morning, The Poem.
It was during this period that Claude first sensed his vocation to the religious life in the Society of Jesus. We know nothing of the motives which led to this decision. We do know, however, from one of his early notations, that he "had a terrible aversion for the life embraced". This affirmation is not hard to understand by any who are familiar with the life of Claude, for he was very close to his family and friends and much inclined to the arts and literature and an active social life. On the other hand, he was not a person to be led primarily by his sentiments.
Claude became noted for solid and serious sermons. They were ably directed at specific audiences and, faithful to their inspiration from the gospel, communicated to his listeners serenity and confidence in God.
His spiritual notes from this period allow one to follow step-by-step the battles and triumphs of the spirit, so extraordinarily attracted to everything human, yet so generous with God.
Claude dedicated his time to giving thorough instruction to the many who sought reconciliation with the Church they had abandoned. And even if there were great dangers, he had the consolation of seeing many reconciled to it, so that after a year he said: "I could write a book about the mercy of God I've seen Him exercise since I arrived here!"
-From the Vatican Website
I got beat up Sunday morning
'fore God woke up.
Just got down to New Orleans
Where I’ve learned to drink
from a half-full cup.
I got my zygomatic bones bruised.
I got my arms crossed ‘n’ wires fused.
I got off work and rode my bike to the Bywater.
Throw a cup of water at my face while the weather’s still warm.
Throw a glass bottle at my head while the air’s still thick enough to hear it coming.
Call me faggot while I’m still young enough to wear my pants so tight.
Get out of your truck and chase me down while the streets are still empty.
Pull me off my bike while I’m still happy to walk.
Punch my face once while I ask you why.
Punch my face twice while I ask you to stop.
Tear off my jacket while I wonder how long this will last.
Punch my face three times while I look at your friends looking at me.
Punch my face four times while it occurs to me “This is different.”
Those are your knuckles so devoted to my zygomatic bones.
Hard to turn the other cheek, face down.
I feel your fists loose faith, get softer.
Punch the back of my head once before you turn away while I imagine your license plate:
Romeo
Delta
Yankee
4
Lima
Uniform
Victor
RDY4LUV
It’s over. You left me there. You took nothing.
My bike’s busted. My buttons ripped off. My earrings beaten out.
I walk home. Oh I walk home.
A gay cop finds me on the corner of Esplanade and Dauphine.
I said a gay cop finds me on the corner of Esplanade and Dauphine.
He says we’re calling this in a 35. Hate Crime.
I said officer
I said I said officer
she don’t hate me, she just don’t love me.
My Zygomatic bones bruised.
Since you left me, I rode uptown in an ambulance.
I answered questions about my city, the year, and the president.
I said you can take your 10 grand CT Scan and shove it where the sun always shines.
Baby, I was discharged and a taxi took me home.
I got beat up Sunday morning
‘fore God woke up.
Just got down to New Orleans
Where I’ve learned to drink
from a half-full cup.
Sunday, October 17, 2010
I got beaten up last night.
Tuesday, October 12, 2010
I'm Reading This Month
Creative Reading Series Fall 2010
New to New Orleans
October 20th, 2010 Kirschman Artspace
NOCCA Riverfront
2800 Chartres St. NOLA 70117 www.nocca.com
Contact Anne Gisleson agisleson@nocca.com
7:00 to 8:30
Reception to follow.
New Orleans has always attracted writers and artists, and in the last few years, the city has seen another wave of literary newcomers. That got us thinking—why? We’re curious about what New Orleans has to offer them as writers and vice versa. On Wednesday October 20th at 7:00, the NOCCA Creative Writing Department is showcasing four poets who are relatively new to town and we look forward to hearing their work and thoughts about their new home.
Nik De Dominic moved to New Orleans in May, 2009. Pushcart nominated, his work has appeared in DIAGRAM, Harpur Palate, Los Angeles Review, and elsewhere. He is an editor of The Offending Adam and an associate editor of the New Orleans Review. As a visiting instructor for Bard College, he teaches classes on thinking and writing inside Orleans Parish Prison.
Paul Killebrew was born and raised in Nashville, Tennessee. His first full-length collection, Flowers, was published by Canarium Books this year, and his long poem Inspector vs. Evader has recently been republished online by Ugly Duckling Presse. He moved to New Orleans in 2008 to take a job as a staff attorney with Innocence Project New Orleans, an nonprofit law office in the Bywater that represents innocent prisoners in Louisiana and Southern Mississippi who are sentenced to life without parole.
Sara Slaughter is a native of Pine Bluff, Arkansas, who moved to New Orleans in the summer of 2009. She is currently enrolled in the low-residency MFA Program for Writers at Warren Wilson College. Her work has appeared in Helicon, The Honeyland Review, and a collection celebrating what would have been the 100th birthday of Elizabeth Bishop.
Jeremy JF Thompson was born in Los Angeles, CA. He went to college at UCSB in Santa Barbara, CA. He went to Grad School at Mills College in Oakland, CA. Shortly after, he moved to Queens, NY, where he was an instructor at The Center for Book Arts. His book, AUTOGRAPHOGRAPHY, will be out in 2011 through Cuneiform Press. He runs Auto Types Press and blogs at autotypist.blogspot.com.